51本色

  • Power, M., Devereux, E. and Dillane, A. (Eds.). (2018) Heart and Soul: Critical Essays on Joy Division. London: Rowman & Littlefield International.
  • Dillane, A., Power, M., Devereux, E. and Haynes, A (Eds.). (2018) Songs of Social Protest: International Perspectives. London: Rowman & Littlefield International.
  • Devereux, E., Dillane, A. and Power, M.  (Eds.). (2017) David Bowie: Critical Perspectives (PB). New York: Routledge
  • Hidalgo, M. (2016) Mozlandia: Morrissey Fans in the Borderlands. London: Headpress
  • Devereux, E., Dillane, A. and Power, M.  (Eds.). (2015) David Bowie: Critical Perspectives. New York: Routledge.
  • Devereux, E. (2014) Understanding The Media 3rd edition London: Sage.
  • Devereux, E., Dillane, A., and Power, M (Eds.). (2011) Morrissey: Fandom, Representations & Identities. England: Intellect.
  • Power, M. Devereux, E. and Dillane, A. (2018) 'This Is the Way, Step Inside: Understanding Joy Division', In: Power, M. Devereux, E. and Dillane, A. (eds.). Heart and Soul: Critical Essays on Joy Division. London: Rowman and Littlefield International.
  • Devereux, E., Meagher, D. and Cullen, W. (2018) 'This is the Crisis I Knew Had to Come: Revisiting Ian Curtis's Suicide', In: Power, M. Devereux, E. and Dillane, A. (eds.). Heart and Soul: Critical Essays on Joy Division. London: Rowman and Littlefield International.
  • Dillane, A., Power, M. Devereux, E. and Haynes, A. (2018) 鈥楢gainst the Grain: Counter-Hegemonic Representations of Pre and Post 'Celtic-Tiger' Ireland in the 'Protest' Songs of Damien Dempsey', In: Dillane, A., Power, M. Devereux, E. and Haynes, A. (eds.). Songs of Social Protest: International Perspectives. London: Rowman and Littlefield International.
  • Dillane, A., Power, M. Devereux, E. and Haynes, A. (2018) 鈥楪et Up, Stand Up, Sing Out: The Contemporary Relevance of Protest Song', In: Dillane, A., Power, M. Devereux, E. and Haynes, A. (eds.). Songs of Social Protest: International Perspectives. London: Rowman and Littlefield International.
  • Power, M. (2018) 鈥樷淎esthetics of resistance鈥. Billy Bragg, Ideology, and the Longevity of Song as Social Protest', In: Dillane, A., Power, M. Devereux, E. and Haynes, A. (eds.). Songs of Social Protest: International Perspectives. London: Rowman and Littlefield International.
  • Dillane, A., Power, M. and Devereux, E. (2017) 鈥楽hame Makes The World Go Around': Performed and Embodied (Gendered) Class Disgust in Morrissey's 'The Slum Mums', In: Way, L. and McKerrell, S. (eds.). Music As Multimodal Discourse: Semiotics, Power and Protest. London: Bloomsbury.
  • Dillane, A., Devereux, E. and Power, M.  (2015) 鈥楥ulminating Sounds and (En)visions: Ashes to Ashes and the case for Pierrot鈥, In: Devereux, E., Dillane, A. and Power, M. (eds.). David Bowie: Critical Perspectives. New York: Routledge.
  • Power, M., Devereux, E. and Dillane, A. (2015) 鈥榃here are we now? Contemporary Scholarship on David Bowie鈥, In: Devereux, E., Dillane, A. and Power, M. (eds.). (2015) David Bowie: Critical Perspectives. New York: Routledge.
  • Langlois, T. (2013) 鈥楾he Rise and Fall of the Singing Tiger: Ireland and Eurovision.鈥 in Tragaki, D. (ed) Empire of Song: Europe and Nation in the Eurovision Song Contest. Scarecrow Press.
  • Devereux, E., Dillane, A., and Power, M. (2011) 'And don't forget the songs that made you sad, and the songs that saved your life'' In: Devereux, E., Dillane, A., and Power, M (eds).Morrissey: Fandom, Representations and Identities. England: Intellect.
  • Power, M (2011) 'The Teenage Dad' and 'Slum Mums' are 'Just Certain People I know': Counter hegemonic representations of the working / under class in the works of Morrissey' In: Devereux, E. Dillane, A. and Power, M (eds) (2011). Morrissey: Fandom, Representations & Identities. England: Intellect.
  • Devereux, E. and Dillane, A (2011) 'Speedway for Beginners' In In: Devereux, E. Dillane, A. and Power, M (eds). Morrissey: Fandom, Representations & Identities. England: Intellect.
  • Devereux, E., Dillane, A. and Power. M. (2018) 'Saying Hello to the Lunatic Men: A Critical Reading of 鈥楲ove is Lost鈥'. Contemporary Music Review, 37(3): 257-271.
  • Power, M., Dillane, A. and Devereux, E. (2017) '"You'll Never Kill Our Will To Be Free": Damien Dempsey's 'Colony' as a Critique of Historical and Contemporary Colonialism', MUSICultures,44(2): 29-52. 
  • Dillane, A,Power, MJ,Devereux, E (2017) 'Locating culture, making soundscapes and activating critical social relations: A case study from 51本色 SoundScapes'. Portuguese Journal Of Social Science, 16 (3):343-358
  • Power, M., Dillane, A. Devereux, E. (2016) 鈥淚 sing out to the youth of the slums鈥: Morrissey and Class Disgust, Popular Music and Society, 39(5): 547-562.
  • Devereux, E. & Hidalgo, M. (2015) ''. Participations, 12 (2):197-217.
  • Dillane, A., Power, M.J. & Devereux, E. (2014) 'I Can Have Both: A Queer Reading of Morrissey'. European journal of Popular Culture, 5(2):149-164.
  • Dillane, A (2013) 鈥業rish Nostalgic Song and the Performance of Identity鈥, Bealoideas Special Edition, Journal of the Folklore Society of Ireland, 81: 13-27.
  • Dillane, A (2013) 鈥楥omposing Identity, Fiddling with (Post)Ethnicity: Liz Carroll鈥檚 鈥淟ake Effect鈥濃.  MusiCultures  40(1): 7-34.
  • Power, M., Dillane, A. and Devereux, E (2012) 'A push and a shove and the land is ours: Morrissey's counter-hegemonic stance(s) on social class'. Critical Discourse Studies, 9 (4):375-392.